This Drifting Poo Was Far Too Meaningful! It's the TV Disappointments of the Past Year.

As we consider the TV landscape of the past year, a handful of series emerge not for their excellence, but for their spectacular shortcomings. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with dreadful writing, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the third season started, it seemed as if it had at last found its groove. Then came an installment centered on Seema’s natural deodorant. No wonder the creator announced this would be the last series. It ended on a low point; the closeup of Miranda’s loo flooded with poo was just way too on-the-nose. Still, fans undeniably had a hoot dissecting every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's problems. The subject of a very rare zero star review, it was hard to know where to begin listing the flaws. The laughably leaden writing? The mind-numbing veneration of affluence and materialism? The seemingly wilful parade of cliches? Acting so poor they felt borderline malicious? Suffice it to say “all of the above” and forget about this series again. However, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of reckless excess while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any pity this series might induce should be saved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy characters meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the embarrassment of having to indulge unconvincing dialects. But there were many other issues. Mainly that it was just really boring; a dispute over drug-selling territory between various cockney rogues which felt rather simplistic.

With Love, Meghan

Given the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into twee homemaking as intentional statements. But then you view them and are forced to admit that actually, they might have a point. It’s like watching a lifestyle catalogue animated; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, mostly undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be discussed about both Victoria Beckham and her journey with career, identity, self-acceptance. But for some reason, this three-part series chose not to explore them. Rather, the experience was akin to consuming a sales brochure. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too complicated to explain what exactly was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to emulate something far greater than it.

Too Much

How do you succeed a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented younger comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated with care. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

Prime Target

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about government agencies spying on – and killing off – intellectuals frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Elizabeth Davies
Elizabeth Davies

A software engineer and tech writer passionate about AI ethics and open-source projects, with over a decade of industry experience.